Books You Might Enjoy if You Liked ‘Circe’
The Song of Achilles / Madeline Miller
Patroclus, an awkward young prince, follows Achilles into war, little knowing that the years that follow will test everything they have learned, everything they hold dear. And that, before he is ready, he will be forced to surrender his friend to the hands of Fate. Set during the Trojan War.
You can also find links to many of Madeline Miller’s essays on her website.
Told in four parts, a fiercely dramatic portrait of the murderess Clytemnestra, who will herself be murdered by her own son, Orestes. It is Orestes’ story, too: his capture by the forces of his mother’s lover Aegisthus, his escape and his exile. And it is the story of the vengeful Electra, who watches over her mother and Aegisthus with cold anger and slow calculation, until, on the return of her brother, she has the fates of both in her hands.
As the story goes, Virgil’s hero fights to claim the king’s daughter, Lavinia, with whom he is destined to build an empire. Lavinia herself never speaks a word. With Lavinia, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy. Lavinia grows up knowing nothing but peace and freedom until her suitors arrive. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner, that she will be the cause of a bitter war, and that her husband will not live long. When a fleet of Trojan ships sails up the Tiber, Lavinia decides to take her destiny into her own hands and tells us the story of her life—and her life’s greatest love.
“Homer’s Odyssey is not the only version of the story. Mythic material was originally oral, and also local — a myth would be told one way in one place and quite differently in another. I have drawn on material other than the Odyssey, especially for the details of Penelope’s parentage, her early life and marriage, and the scandalous rumors circulating about her. I’ve chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn’t hold water: there are too many inconsistencies. I’ve always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself.” — from Margaret Atwood’s Foreword to The Penelopiad
David Vann transports us to 13th century B.C. to give a nuanced and electric portrait of the life of one of ancient mythology’s most fascinating and notorious women, Medea. In brilliant poetic prose Bright Air Black brings us aboard the ship Argo for its epic return journey across the Black Sea from Persia’s Colchis–where Medea flees her home and father with Jason, the Argonauts, and the Golden Fleece. Vann’s reimagining of this ancient tale offers a thrilling, realist alternative to the long held notions of Medea as monster or sorceress. We witness with dramatic urgency Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, and her tragic demise. Atmospheric and spellbinding, Bright Air Black is an indispensable, fresh and provocative take on one of our earliest texts.
For centuries, the mysterious dark-robed figure has roamed the globe, searching for those whose complicity and cowardice have fed into the rapids of history’s darkest waters—and now, in Sarah Perry’s breathtaking follow-up to The Essex Serpent, it is heading in our direction. It has been years since Helen Franklin left England. In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy. But, unaware, as she wanders the cobblestone streets Helen is being watched.
One September evening in 1785, Jonah Hancock hears an urgent knocking on his front door near the docks of London. The captain of one of Jonah’s trading vessels is waiting eagerly on the front step, bearing shocking news. On a voyage to the Far East, he sold the Jonah’s ship for something rare and far more precious: a mermaid. Jonah is stunned–the object the captain presents him is brown and wizened, as small as an infant, with vicious teeth and claws, and a torso that ends in the tail of a fish. It is also dead. As gossip spreads through the docks, coffee shops, parlors and brothels, all of London is curious to see this marvel in Jonah Hancock’s possession. Thrust from his ordinary existence, somber Jonah finds himself moving from the city’s seedy underbelly to the finest drawing rooms of high society. At an opulent party, he makes the acquaintance of the coquettish Angelica Neal, the most desirable woman he has ever laid eyes on–and a shrewd courtesan of great accomplishment. This meeting sparks a perilous liaison that steers both their lives onto a dangerous new course as they come to realize that priceless things often come at the greatest cost.
From the Booker Prize-winning author of the Regeneration trilogy comes a monumental new masterpiece, set in the midst of literature’s most famous war. Pat Barker turns her attention to the timeless legend of The Iliad, as experienced by the captured women living in the Greek camp in the final weeks of the Trojan War. The ancient city of Troy has withstood a decade under siege of the powerful Greek army, who continue to wage bloody war over a stolen woman—Helen. In the Greek camp, another woman watches and waits for the war’s outcome: Briseis. She was queen of one of Troy’s neighboring kingdoms, until Achilles, Greece’s greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles’s concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army. When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Achilles refuses to fight in protest, and the Greeks begin to lose ground to their Trojan opponents. With breathtaking historical detail and luminous prose, Pat Barker brings the teeming world of the Greek camp to vivid life. She offers nuanced, complex portraits of characters and stories familiar from mythology, which, seen from Briseis’s perspective, are rife with newfound revelations.
From an internationally acclaimed novelist, the suspenseful and heartbreaking story of a family ripped apart by secrets and driven to pit love against loyalty, with devastating consequences. Isma is free. After years of watching out for her younger siblings in the wake of their mother’s death, an invitation from a mentor in America has allowed her to resume a dream long deferred. But she can’t stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who’s disappeared in pursuit of his own dream, to prove himself to the dark legacy of the jihadist father he never knew. When he resurfaces half the globe away, Isma’s worst fears are confirmed. Then Eamonn enters the sisters’ lives. Son of a powerful political figure, he has his own birthright to live up to–or defy. Is he to be a chance at love? The means of Parvaiz’s salvation? Suddenly, two families’ fates are inextricably, devastatingly entwined, in this searing novel that asks: What sacrifices will we make in the name of love? The winner of the 2018 Women’s Prize for Fiction, Home Fire is a retelling of Antigone that centers around an immigrant family and the man who comes into their lives and changes it forever.
Thebes is a city in mourning, still reeling from a devastating attack of plague that invaded every home and left the survivors devastated and fearful. This is the Thebes that Jocasta has known her entire life, a city ruled by a king–her husband-to-be. Jocasta struggles through this miserable marriage until she is unexpectedly widowed–now free to choose her next husband, she selects the handsome, youthful Oedipus. When whispers emerge of an unbearable scandal, the very society that once lent Jocasta its support seems determined to destroy her. Ismene is a girl in mourning, longing for the golden days of her youth–days spent lolling in the courtyard garden, reading and reveling in her parents’ happiness and love. Now she is an orphan, and the target of a murder plot, attacked within the very walls of the palace. As the deadly political competition swirls around her, she must uncover the root of the plot – and reveal the truth of the curse that has consumed her family.
The novel is based on Oedipus Tyrannus and Antigone, two of Classical Greece’s most compelling tragedies. Told in intersecting narratives, this feminist reimagining of Sophocles’ classic plays brings life and voice to the women who were too often forced to the background of their own stories. It is compulsively entertaining fiction that recasts these familiar stories for the twenty-first century reader.